Revived after a shake-up in ranks following the release of 'Telescope Mind' (Smalltown Supersound, 2006), Tussle releases their follow-up, 'Cream Cuts'. 'Cream Cuts' finds Tussle expanding upon itís own unique mix of drums, bass and electronics, at times echoing the elasticity and straight forward approach of their debut, Kling Klang, but with more color and complexity, while also integrating the psychedelic pulsating punch heard of Telescope Mind. Moving above and beyond their first two releases, Tussle map out worlds upon worlds with Cream Cuts, riding songs from creation to destruction to rebirth.

Tussle is currently comprised of two of the four founding fathers, Jonathan Holland (drums & electronics) and Nathan Burazer (electronics), flanked by Warren Huegel (drums) and new addition Tomonori Yasuda (bass & electronics), began work on Cream Cuts in November 2006 with producer extraordinaire Thom Monahan, who is known for working with Vetiver, Joanna Newsom, Silver Jews, Devendra Banhart and Brightblack Morning Light. Most of Cream Cuts was recorded at Monahanís studio in Los Angeles, CA with assistance from Tussleís original bassist, Andy Cabic (aka Vetiver), who introduced the band to the producer. Thom Monahanís creative production techniques and ability to capture the sound and feel of intimate performances integrate with Tussleís krauty exploration of rhythm leading to the bands most epic and experimental release to date.